Sure, you've heard Nirvana's 'Nevermind' and Wilco's 'Summerteeth' before. But have you heard them the way true audiophiles (and Jack White) prefer?
Pulp's fifth album put a witty spin on working-class angst and cemented the band's place among Britpop's elite.
On their landmark second album, Deftones infused elements of new wave and shoegaze to define their future direction. Alt-metal would never be the same.
Chris Walla's first offering since leaving Death Cab For Cutie sees the guitarist-producer stepping away from traditional pop in favor of ambient minimalism.
Released just two months after their last album 'Depression Cherry,' Beach House's surprise new full-length is not to be confused with a leftovers collection.
Easily their most polished, the fifth proper album from Wavves nevertheless prove just how much they're capable of saying in under three minutes.
On their first album in seven years, Josh Homme and Jesse Hughes once again offer up another slice of unadulterated (but clever and richly arranged) fun.
For the follow-up to 'OK Computer,' Radiohead stripped their sound of guitars, live drums, and even vocals, resulting in 'Kid A' after months of difficulty.
Alice in Chains' sophomore album still crackles with an affirming thirst for life at the heart of its unrelenting gloom and despair.
This time around, the Soundgarden frontman breaks new ground by blending rustic British folk, vintage American folk-rock and light electronica with pop.