Benefiting from big-budget production while indulging his quirks, Chris Drew proves that artists and major labels can still get commendable results together.
On his second full-length, the Seattle singer-songwriter brings smoldering intensity and exceptional finesse to his observations on the human condition.
Newly single, addiction-free, and relocated to Nashville, singer-songwriter Langhorne Slim's fifth album celebrates unguarded vulnerability as a strength.
Bountiful string arrangements give Romano's fifth album the feeling of a black-tie gala, yet he ably captures the gravitas of forebears like Willie Nelson.
Titus Andronicus’ fourth album makes a strong first impression, but it still feels like a grower, if only because there’s so much length and variety here.
On her fourth album, the Oklahoman singer-songwriter broadens her lyrical outlook while taking folk and Americana outside of their established parameters.
With a penchant for crafting concise songs that still leave room to develop, Louisville quartet White Reaper's debut puts several fresh twists on punk formula.