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12 Years Ago: Radiohead’s ‘Amnesiac’ Album Released

Radiohead Amnesiac
Capitol Records

It turned out that there was more to ‘Kid A’ than what first met fans’ ears in 2000. And it turned out to be a little closer to what people who complained about all of ‘Kid A’’s electronic clatter wanted. Sort of. ‘Amnesiac’ was recorded during the same sessions as ‘Kid A,’ sounded a lot like ‘Kid A’ and was even referred to as ‘Kid B’ by critics and fans. But ‘Amnesiac,’ Radiohead’s fifth album, is not a collection of leftovers. Rather, the record – which celebrates its 12th anniversary today – is more like a sequel, but with more aggressive music and a more conventional mainframe housing its ideas.

All but one of ‘Amnesiac’’s 11 songs were recorded at the same time as ‘Kid A.’ Radiohead had more than enough tracks for their follow-up to 1997’s ‘OK Computer’ and at first planned to release the cuts left off of ‘Kid A’ – songs that downplayed the electronic elements, a bit, for occasional guitar and more traditional compositions – as a series of EPs. Instead, ‘Amnesiac’ followed ‘Kid A’ by eight months, marking one of the most remarkable and fertile periods in the history of indie rock.

At the time, Thom Yorke called ‘Amnesiac’ an “explanation” of ‘Kid A.’ He also referred to it as “another take” on the original, which comes closer to defining its purpose. There’s no doubt the two albums belong together, and there’s also no question that ‘Amnesiac’ is designed to be the less discordant of the two albums. But each stands on its own — maybe ‘Amnesiac’ more than ‘Kid A.’ It’s all relative anyway. Tracks like ‘Pyramid Song,’ ‘I Might Be Wrong’ and ‘Knives Out’ extend ‘Kid A’’s worldview and are among Radiohead’s best songs.

‘Amnesiac’ reached No. 2 and went gold. (Just to keep the comparisons going, ‘Kid A’ went to No. 1 and sold more than a million copies.) After their creative breakthrough with ‘The Bends,’ Radiohead really weren’t much of a singles band, so it’s no surprise that only ‘I Might Be Wrong’ had any sort of radio or chart presence, barely cracking the modern-rock Top 30. When the band returned two years later with ‘Hail to the Thief,’ the guitars were back, in small doses, and the band found a way to spread ‘Kid A’ / ‘Amnesiac’’s futurism to more standard outlets. And how to become alt-rock’s most important band of the past 20 years.

Next: The Lemonheads' 'It's a Shame About Ray' Released

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