Sleater-Kinney are about big sounds crashing against quieter, understated ones and that came into focus during their show Feb. 26 in New York City.
Bruce Pavitt's new book, Sub Pop USA: The Subterranean Pop Music Anthology, 1980-1988, documents a world before "indie" was a thing.
Any way you look at it, the situation seems dire for the mid-level musician making a go of it in 2015.
There's that thing about Sturgill Simpson's voice you could call nostalgic -- that deep country twang, an inflection impossible to fake.
In 2015, the way you choose to listen to music isn't based on monthly budgets, nor is it completely based on whether you like to own physical copies of music.
There was something slightly insufferable about Father John Misty’s 'Late Show' performance of 'Bored in the U.S.A.' this past November.
Contemplate Mount Eerie's new LP 'Sauna,' and recall Louis Hardin, a.k.a. Moondog -- the great New York City street performer of the mid-20th century.
Last year had a woozy, sleepy sound to it.
OK, so after a few years of hearing about podcasts, you finally get them, right?
Now, three bands, a Unicorns reunion, and at least one spiritual crisis later, Alden Penner is on his own and on the hustle.